Film Songs
डर के आगे जीत है
Darr Ke Aage Jeet Hai
 

Details
  • Mis Spell Name

  • Darr Ke Aage Jeet Hai
  • Genre

  • Mystery
  • Production House

  • Gyan International
  • Producer

  • Gyan Narsinghani
  • Director

  • Susheel Gajwani
  • Composer

  • Tony Kakkar
  • Censor Date

  • 01/04/2014
  • Censor Year

  • 2014
  • Released date

  • 04/04/2014
  • Released Year

  • 2014

 

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Censor Board Details (Central Board of Film Certification)

GRADE: UA
  • Certificate No :

  • U/A 00
  • Certificate Date :

  • 01/04/2014
  • Office :

  • Mumbai
  • Guage :

  • -
  • Length :

  • 11934 Feet 3978 Meters
  • Duration :

  • 136 Minutes
  • Reels :

  • 13
  • Color :

  • Coloured
  • Native Language :

  • Hindi
  • Dubbed Languages:

  • Telugu

 

 

Cast Details Story Songs
  • Producer : Gyan Narsinghani
  • Director : Susheel Gajwani
  • Editor : Susheel Gajwani
  • Screenwriter- screenplay : Gyan Narsinghani
  • Dialog Writer : Gyan Narsinghani
  • Writer : Gyan Narsinghani
  • Story : Gyan Narsinghani
  • Art. Director : Gyan Narsinghani
  • Composer : Tony Kakkar
  • Lyricist : Tony Kakkar
  • Actor : Gyan Narsinghani , Shekhar Bhosle , Shashi Gajwani
  • Actress : Snehal Dalvi
Aditya is an exceptionally successful business tycoon and is married to a loving wife Anuja but Aditya is paralysed with fear when a stranger appears from nowhere like a monster and grabs his senses to terrorize him. The stranger appears, again and again and again, to turn Aditya into a timid man, who has no courage to face a ruthless stranger. Aditya's wife Anuja is a shattered woman, as he succumbs to the stranger's frightening appearances at odd hours. But most of our fears have no reality. They are merely a conglomeration of sinister shadows, and shadows have no reality. Aditya bemoans his fate, indulges his fear, and the monster-fear imprisons him in its catastrophic shackles. Desperate, his wife Anuja tries to pull him out of it, but he isn't able to confront fear and is finally hospitalized, now under severe shock and trauma. Aditya's constant indulgence in fear-thoughts results in abnormal fear, obsessions, and complexes. Fearing the stranger's death warnings persistently, Aditya's life is clouded by an ominous sense of panic and terror. Anuja is helpless and anxious, watching her husband disintegrating into a horrified state of mind. In Aditya's case, is truth stranger than fiction? Are his fears real, or, is he imagining it? Is it an illusion or is the stranger a frightening reality? Or is Aditya hallucinating? How does Anuja help her husband? Does the solution of Aditya's fears lie in his fears ? Is fear the key to courage?